Following government announcements, the teams at the Théâtre du Châtelet are working on the development of its programming, in particular by adapting the show schedules. We will keep you informed as soon as possible. Thank you for your understanding.



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Painting, circus, comedy, costumes, sets, lights… nothing escapes the overflowing talent of Dimitris Papaioannou.

After The Great Tamer, which received a standing ovation at the Festival d’Avignon in 2017, he established himself as a theatre prodigy with Since She, the first large-scale piece created by a guest choreographer with the Tanztheater Wuppertal company, presented by the Théâtre de la Ville in La Villette in July 2019.

As we speak, you’re coming out of your first month of research. What have you been working on and what axes are already taking shape?

I try to bring into play ideas around nightmares, erotic dreams and filiation, when the act of destroying ancient models is followed by the rediscovery of their values. We must then position ourselves in relation to our ancestors and reevaluate certain principles against which we had to rebel in our youth. Scenically, I am returning to a clear background, like a sheet of paper on which I draw. I am leaving behind the chiaroscuro of my previous creations.

Have you also renewed your circle of performers?

This is the first time that I have worked in a production of my own company with 8 performers from different cultures […]; you have already seen Christos Strinopolous, the main character in The Great Tamer, Michalis Theophanous my stage partner in Primal Matter and Breanna O’Mara from Tanztheater Wuppertal, the main character in Since She.

Interview by Thomas Hahn

Logo Théâtre de la Ville

A production of ONASSIS STEGI
First performed at ONASSIS STEGI, Athens, May 2020

Coproduction Biennale de la danse de Lyon 2020, Dance Umbrella / Sadler’s Wells Theatre, Fondazione Campania dei Festival – Napoli Teatro Festival Italia, Grec Festival de Barcelona, Holland Festival, Luminato (Toronto) / TO Live, Ruhrfestspiele Recklinghausen, Saitama Arts Theatre / ROHM Theatre Kyoto, Stanford Live / Stanford University, Teatro Municipal do Porto, Théâtre de la Ville – Paris / Théatre du Châtelet, UCLA’s Center for the Art of Performance

With the support of Festival Aperto (Reggio Emilia), HELLERAU – European Centre for the Arts, National Arts Centre (Ottawa), New Baltic Dance Festival, ONE DANCE WEEK Festival, P.P. Culture Enterprises Ltd, Teatro della Pergola – Firenze, Torinodanza Festival / Teatro Stabile di Torino – Teatro Nazionale

Executive Producer 2WORKS
Funded by the Hellenic Ministry of Culture and Sports
Dimitris Papaioannou is supported by MEGARON – THE ATHENS CONCERT HALL


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